Julia was a woman who wrote poems. 
Julia was a noble woman from a big family. 

Julia Balbilla was a noble woman and a poet. 
Julia lived a life of high status. She was a friend to the Emperor Hadrian. She also traveled with his wife, Vibia Sabina. In the year 130, they went to Egypt. 
She did not write these poems on paper. Instead, she carved them into stone. She used the legs of the Colossi of Memnon. These are giant stone statues. Her poems told stories about a king named Memnon. They also spoke of gods and her own family. Her writing used wit and clever sounds. Even today, we can see her words on the stone. Her poems show us how she felt about her history and her art.
Julia Balbilla was a famous Roman noble woman and a poet. 

Balbilla's life involved traveling and writing beautiful words. She was a court poet for the Emperor Hadrian. She was also a companion to his wife, Vibia Sabina. In the year 130, she traveled to Egypt with them. They visited the Valley of the Kings during this trip. While there, she performed the task of recording their visit. She wrote three epigrams, which are short poems. She chose to write these poems in Aeolic Greek. This was a special way of writing that used traditional themes. 
Writing the poems was a very unique process. Balbilla did not use paper or ink for her work. Instead, she inscribed her poems directly onto stone. She used the legs of the Colossi of Memnon. These are huge statues standing in Egypt. Her writing was like a form of approved public graffiti. She used clever metaphors and sounds in her verse. The poems even had a tone like the famous poet Homer. She also used themes about the love of songs. 
Many important people shaped her early years and family. Her grandfather, Tiberius Claudius Balbilus, was a learned scholar. He was also an astrologer who studied the stars. He served as the Prefect of Egypt from AD 55 to 59. Her father was Gaius Julius Archelaus Antiochus Epiphanes. Her brother was Philopappos, who became a consul in Rome. He served in this high role until AD 109. After he died in AD 116, Balbilla built him a large monument. This monument sits on Musaios Hill in Athens. 
Her poems tell stories that connect to ancient myths. The first two epigrams tell about a king named Memnon. In the stories, Memnon was a king of Ethiopia. He was killed by Achilles at the city of Troy. The god Zeus made him immortal after he died. Balbilla used these stories to honor the Emperor and his wife. Her third poem was different from the others. She dedicated that one to her own parents and grandfathers. It was a way to celebrate her noble bloodline. 
Julia Balbilla was a Roman noblewoman and a skilled poet. She lived during a time of great empire and diverse cultures. Her life was defined by her high social status and her connection to the Roman imperial court. Balbilla is best remembered today for her surviving poetry. She inscribed these works directly onto ancient stone monuments in Egypt. These writings provide a rare glimpse into the life of an educated woman in the Roman era. 
Balbilla's family history was incredibly complex and international. Her ancestry included lines from Armenia, Media, Syria, and the Seleucid Empire. She was a member of the royal family of Commagene. Commagene was a small principality located in what is now modern-day Turkey. This kingdom was eventually annexed by the Roman Empire. Because of this, her family held significant influence within the Roman system. Her brother, Philopappos, even served as a consul in Rome until AD 109. 
Her upbringing was shaped by many learned and powerful relatives. Her maternal grandfather was Tiberius Claudius Balbilus. He was a Greek man of Egyptian descent who worked as an astrologer. An astrologer is a scholar who studies the movements of stars and planets. Balbilus served as the Prefect of Egypt from AD 55 to AD 59. This was one of the highest administrative roles in the region. Her father, Gaius Julius Archelaus Antiochus Epiphanes, provided her with a traditional Greek education. This education allowed her to master the complex art of poetry.
Balbilla served as a court poet for the Emperor Hadrian. She was also a companion to his wife, Vibia Sabina. In AD 129, she joined the imperial party on a journey to Egypt. Between November 19 and November 21, AD 130, she recorded the party's visit to the Valley of the Kings. To do this, she used a unique method of inscription. She wrote three epigrams, which are short poems, onto the legs of the Colossi of Memnon. These colossal statues are massive stone figures located in Egypt. 
Writing these epigrams required great skill and specific literary choices. Balbilla wrote in Aeolic Greek, a dialect often used by ancient lyric poets. Her work was a form of approved public inscription. However, it also shared characteristics with graffiti because of how it was placed on the statues. She used an Homeric tone, which means her writing sounded like the epic stories of Homer. Her poems included metaphors and clever sound echoes. She was also inspired by the poet Sappho. This influence showed in her themes regarding the Muses, who are goddesses of inspiration. 
The content of her three surviving poems serves different purposes. The first and second epigrams focus on mythology. They tell the story of Memnon, a mythical king of Ethiopia. In the myths, Memnon was killed by Achilles at Troy, and the god Zeus made him immortal. Balbilla used this story to flatter Emperor Hadrian and Sabina. Her third epigram was more personal. She dedicated it to her own parents and grandfathers. This poem served to celebrate her noble bloodline and her family's history. 
There is also a fourth poem associated with her work, though it may have a different author. This poem is written in elegiac couplets, which is a specific rhythmic style of verse. It is titled as a dedication to the Muses and is attributed to someone named "Demo" or "Damo." While often published with Balbilla's work, internal evidence suggests it might be separate. This poem claims that the hero Memnon showed special respect to the author. Some evidence suggests this specific inscription was made in or after AD 196. This shows how people continued to interact with these ancient monuments long after Balbilla's time. 
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