Leonard Feather

Leonard Feather loved jazz music. He played the piano and the clarinet. He also wrote many books about music. People read his words to learn about jazz.

He worked as a record producer. He also hosted shows on the radio. This helped many people hear new songs. He even helped plan big jazz concerts.

He wrote many songs for others to sing. One of his hits was called "How Blue Can You Get?". His wife helped him write it.

He lived in many places. He was born in London. Later, he moved to New York and Los Angeles. He spent much of his life in the United States.

He was a very famous writer. Many people knew his name. He helped make jazz special for everyone.

Leonard Feather was a famous jazz writer and musician. He was born in London, England. He learned to play the piano and the clarinet. He did not go to a formal music school. He started writing about jazz when he was a teen.

Feather moved to the United States when he was twenty-one. He lived in New York City for many years. Later, he moved to Los Angeles. He worked as a record producer. He also hosted radio shows like Jazz Club. He helped plan big jazz concerts at Carnegie Hall.

He was a very important writer. He wrote books like The Encyclopedia of Jazz. Many people read his work to learn about music. He even wrote notes for hundreds of jazz albums. These are called liner notes. They are the small papers inside record sleeves.

Feather also wrote many songs. He wrote "How Blue Can You Get?" with his wife, Jane. Famous singers like B. B. King recorded his music. In 1984, a music college gave him an honorary degree. His papers are now kept at the University of Idaho.

Leonard Feather was a very important person in the world of jazz. He was a musician who played the piano and the clarinet. He was also a composer who wrote music for others. Many people knew him as a writer and a critic. He wrote about jazz music for many years. His writing helped people understand this style of music. He was a leader in the jazz community.

Feather did many different jobs in music. He worked as a record producer to help make albums. He also hosted radio shows like Jazz Club and Platterbrains. He helped organize the first jazz concerts at Carnegie Hall. He even wrote the lyrics for the song "Whisper Not." This song was recorded by the singer Ella Fitzgerald in 1966. He also wrote liner notes for hundreds of jazz records. These are the notes found inside an album cover.

His life began in London, England. He was born into a Jewish family in 1914. He learned music on his own without formal training. He started writing about jazz and film as a teenager. At age twenty-one, he traveled to the United States. He moved to New York City in 1939. Later, he moved to Los Angeles in 1960. He lived there until he died in 1994.

Feather wrote many famous books about music history. One was The Encyclopedia of Jazz from 1955. He also wrote The Encyclopedia of Jazz in the Sixties. He worked as a critic for the Los Angeles Times. He was a co-editor for Metronome magazine. He wrote a hit song called "How Blue Can You Get?" with his wife, Jane. Famous artists like B. B. King recorded his songs.

His work connects many different parts of music history. He helped bring jazz to the radio in Britain. He even made programs for the BBC in 1936. In 1984, Berklee College of Music gave him an honorary degree. This is a special award for his skill. His many papers are now kept at the University of Idaho. This helps people learn about his life today.

Leonard Feather was a central figure in the history of jazz. He was a British-born musician, composer, and producer. However, he was most famous as a jazz journalist and critic. His writing helped define the genre for many listeners. He was often called the most influential jazz writer of his time. Even people who did not read his books knew his name. This was because he wrote liner notes for hundreds of jazz albums. Liner notes are the descriptive texts found inside record sleeves.

Feather's career involved many different musical roles. As a pianist and clarinetist, he understood the technical side of performance. He learned these instruments without formal training. As a producer, he helped shape how jazz records sounded. He also worked as a composer, writing melodies and lyrics. One of his most famous songs is "How Blue Can You Get?" He co-wrote this with his wife, Jane. Famous blues artists like B. B. King and Louis Jordan recorded it. He also wrote the lyrics for "Whisper Not," a song recorded by Ella Fitzgerald in 1966.

Feather was a pioneer in jazz broadcasting and media. In 1936, he helped develop jazz programs for the BBC in Britain. He devised three programs called "Evergreens of Jazz." He also wrote a regular column titled "Tempo di Jazz" for the Radio Times. In the 1950s, he hosted radio shows like "Jazz Club" and "Platterbrains." These shows helped bring jazz into people's homes. He also held major roles in print media. He served as a co-editor of Metronome magazine. Later, he was the chief jazz critic for the Los Angeles Times.

His life moved across the Atlantic Ocean. Feather was born in London, England, in 1914. He grew up in an upper middle-class Jewish family. At age twenty-one, he made his first trip to the United States. He moved to New York City in 1939 to work as a producer. In 1960, he moved to Los Angeles, California. He remained in Los Angeles until his death in 1994. He passed away at age 80 due to complications from pneumonia.

Feather was a prolific author of jazz history. He wrote many books that served as important references. In 1955, he published The Encyclopedia of Jazz. This book featured a foreword by the famous Duke Ellington. He also released The Encyclopedia Yearbook of Jazz in 1956. Other notable works include The Encyclopedia of Jazz in the Sixties. He also wrote From Satchmo to Miles in 1972. His work with Ira Gitler resulted in The Biographical Encyclopedia of Jazz. These books helped organize the vast history of the music.

Feather was known for his strong presence in the jazz community. He was not always a neutral observer. Some noted his skill at writing glowing reviews for artists he worked with. He would sometimes write advance press pieces for artists he was about to record. He might even review his own productions as if he were an impartial critic. This approach was described by some as an art form in itself. Despite this, his influence on the industry was massive. He even organized the first jazz concerts at Carnegie Hall. He also brought jazz to the Metropolitan Opera House.

His contributions earned him significant respect in the music world. In 1984, the Berklee College of Music gave him an Honorary Doctorate of Music. This is a high honor for his lifelong dedication to the craft. Today, his life and work are preserved for future researchers. His personal archives are held at the University of Idaho Library. They are part of the International Jazz Collections. This allows students to study the history he helped create. His legacy lives on through his books, recordings, and the scholars who study his papers.